Continuum, made for Bonacina in 1963, immersed itself in the environment, in nature and in biology. Beginning in 1933 with Domus Serena and its balconies covered in vines — a ‘vertical forest’ before its time — Ponti favored organic forms with his sketches of the Circular Villa for Daniel Koo that, though never built, remain. His idea was that of a large leafy roof covering a circular building — Irace’s unlimited attempt to ensure that architecture em- braced life to the fullest


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